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Explores the effect of the challenges of World War II on American children and teenagers.

World War, 1939-1945 --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Children --- United States --- Social conditions

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Yoram Gross' recollections of his life, told simply and directly, cannot be read without emotion. This is the story of a youth who was forced to grow up during the Nazi occupation of his country, Poland. Despite the surrounding horrors, the book is surprisingly cheerful. It is living holocaust history, delivered lightly, with veracity and deep feeling.

Animators --- Animation (Cinematography) --- World War, 1939-1945 --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Animated films --- Cinematography --- Animated television programs --- Cartoon makers --- Technique --- Gross, Yoram. --- Gros, Yoram --- גרוס, יורם

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On April 15, 1941, Sarajevo fell to Germany's 16th Motorized Infantry Division. The city, along with the rest of Bosnia, was incorporated into the Independent State of Croatia, one of the most brutal of Nazi satellite states run by the ultranationalist Croat Ustasha regime. The occupation posed an extraordinary set of challenges to Sarajevo's famously cosmopolitan culture and its civic consciousness; these challenges included humanitarian and political crises and tensions of national identity. As detailed for the first time in Emily Greble's book, the city's complex mosaic of confessions (Catholic, Orthodox, Muslim, Jewish) and ethnicities (Croat, Serb, Jew, Bosnian Muslim, Roma, and various other national minorities) began to fracture under the Ustasha regime's violent assault on "Serbs, Jews, and Roma"-contested categories of identity in this multiconfessional space-tearing at the city's most basic traditions. Nor was there unanimity within the various ethnic and confessional groups: some Catholic Croats detested the Ustasha regime while others rode to power within it; Muslims quarreled about how best to position themselves for the postwar world, and some cast their lot with Hitler and joined the ill-fated Muslim Waffen SS. In time, these centripetal forces were complicated by the Yugoslav civil war, a multisided civil conflict fought among Communist Partisans, Chetniks (Serb nationalists), Ustashas, and a host of other smaller groups. The absence of military conflict in Sarajevo allows Greble to explore the different sides of civil conflict, shedding light on the ways that humanitarian crises contributed to civil tensions and the ways that marginalized groups sought political power within the shifting political system. There is much drama in these pages: In the late days of the war, the Ustasha leaders, realizing that their game was up, turned the city into a slaughterhouse before fleeing abroad. The arrival of the Communist Partisans in April 1945 ushered in a new revolutionary era, one met with caution by the townspeople. Greble tells this complex story with remarkable clarity. Throughout, she emphasizes the measures that the city's leaders took to preserve against staggering odds the cultural and religious pluralism that had long enabled the city's diverse populations to thrive together.

Sociology of minorities --- World history --- interculturaliteit --- anno 1940-1949 --- Sarajevo --- World War, 1939-1945 --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Sarajevo (Bosnia and Hercegovina) --- History.

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Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust. These wartime photographers were the first liberators to bear witness with cameras to Nazi atrocities, three years before Americans arrived at Buchenwald and Dachau. In this passionate work, David Shneer tells their stories and highlights their work through their very own images-he has amassed never-before-published photographs from families, collectors, and private archives. Through Soviet Jewish Eyes helps us understand why so many Jews flocked to Soviet photography; what their lives and work looked like during the rise of Stalinism, during and then after the war; and why Jews were the ones charged with documenting the Soviet experiment and then its near destruction at the hands of the Nazis.

World War, 1939-1945 --- War photography --- Documentary photography --- Jewish photographers --- Photographers --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Combat photography --- Photography, Combat --- Photography, War --- Photojournalism --- Photography, Documentary --- Photography --- Artists --- Photography. --- History. --- Photographes --- Photographes juifs --- Photographie documentaire --- 2ème guerre mondiale --- Photographie de guerre --- Biography. --- Pictorial works --- Biographie --- Photographie --- Ouvrages illustrés

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En coréen

K9178 --- J4850 --- J3384 --- Korea: History -- Japanese annexation period -- World War II (1937-1945) --- Japan: International law -- law of peace and war (including war crimes) --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945) --- Comfort women --- Service, Compulsory non-military --- World War, 1939-1945 --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Military comfort women --- History --- Atrocities --- Women